Tim Harrier’s Dark Passages, Dante’s Hell on Earth is an unrelenting descent into the abyss—a work that fuses the specters of medieval damnation with the searing immediacy of contemporary devastation. This is no simple reimagining of Inferno; rather, Harrier’s vision refracts Dante’s moral cosmology through the shattered prism of modern warfare. Gaza is but one locus of suffering, a metonym for humanity’s cyclical brutality. These works transcend geography, embedding themselves in the marrow of collective conscience.
